Hi everyone -
Cerberus Percussion Group is playing the Red Light Cafe at 9PM on Friday, 11/19/10. Alt-country/folk acts EB Reece (GSU student!) and Adam Klein open at 7:30 and 8:00, respectively.
On the program:
Catfish - Mark Applebaum
Pachamama - Adam Scott Neal
The Frame Problem - James Romig
Attica - Frederic Rzewski
Admission is $7, but supporting contemporary music is priceless.
Feel free to RSVP via facebook here.
Catfish (2003) - Intense, but always with a sick Californian sense of humor, Catfish is a vexing and delightful listening experience. -John Zorn
Pachamama (2009) is a piece for percussion trio. Each player has a 'melodic' instrument (conch shell, ocarina, melodica), some kind of drum (up to them), another 'rhythmic' percussion instrument (shaker, stones, log drum) and an 'atmospheric' instrument (frog guiro, box of pebbles, paper and plastic bags).The form is based on a 9x9 magic square. The number in each square determined the number of measures (in 4/4) that each instrument, dynamic, or rhythmic pattern would last. It will sound a lot less arbitrary than that description. What to listen for, in a nutshell - different instruments will come and go. They will gradually fall into a groove, the groove may become less apparent, then appear again. If you listen closely, you may notice that each player is actually in his own meter. -Adam Scott Neal
The Frame Problem (2003) The title refers to a primary difficulty in designing robots and computer programs with "artificial intelligence." Human brains have a remarkable ability to "frame" information: in an instant, we are able to observe and organize an enormous amount of data, sorting and categorizing what is relevant and what is not. When listening to music, one of the primary hierarchical "frames" we create is that of meter. In this percussion trio, multiple distinct meters occur concurrently—in different lines, at constantly shifting dynamic levels, and in different timbral aggregations—providing human listeners with the opportunity to resolve multiple overlapping “frames” simultaneously. Robots in the audience will probably just be confused. -James Romig
Attica (1972), the earliest work on tonight’s program, is also one of Rzewski’s earliest compositions to feature an overtly political message. A lush repetitive tonal sequence is punctuated by a narrator’s intoned text, gradually expanding one word at a time; the sequenced is derived from a statement made by Richard X. Clark, one of the organizers of the 1971 Attica prison uprising, upon his release in February 1972: “Attica is in front of me.” Although Attica is being presented on its own this evening, it was originally conceived as a companion piece to the more visceral Coming Together, whose narration is based on the words of a less fortunate Attica inmate, radical antiwar activist Sam Melville (“Mad Bomber” Melville), who was killed by police during the uprising. -Kyle Gann