duoATL will perform this Sunday (11/4) at 3pm at Northside Drive Baptist Church: 3100 Northside Drive, Atlanta, GA 30305.
Here's the program:
Caprice(1999)- Katherine Hoover (b. 1937)
Jarcias (1992) I, II, III - Antonio Ruiz-Pipo (1934-1997)
Sonatina, for Flute and Guitar, I. Cantanda con simplicidade - Radames Gnattali (1906-1988)
Libertango - Astor Piazzolla (1921 - 1992)
West End Funk (2007) - Brian Luckett (Atlanta Composer)
--Intermission--
Primera Crónicas del Descubrimiento (1988) I. Leyenda Taina, II.Danza - Roberto Sierra (b.1953)
Histoire du Tango (1985), I. Bordel 1900, II. Cafe 1930, III.Nightclub 1960, IV. Concert d'aujourd hui - Astor Piazzolla (1921-1992)
I Loved Lucy (1996) - Michael Daughtery (b.1954)
Tuesday, October 30, 2007
Thursday, October 25, 2007
Thanks from Five Points Ensemble
[Posted at the request of Albert Ahlstrom and the Five Points Ensemble.]
We had a great show and a very good turnout for our first program.
We want to thank James Paulk for a very nice review/article that appeared on Wedenesday in the AJC. James is a new writer who is working with Pierre at the AJC.
We are organizing new concerts now. We are open to all professional performers interested in presenting 21st century music, or composers that would like to submit music to our expanding core group, or have other professional performers in mind.
We had quite a diverse audience and some of the audience members told me that, though they might not have understood all of the music, they did enjoy hearing the music played so well. This is our goal- interesting, varied and professionally performed programs of 21st century music, with Atlanta music being part of the focus.
—Albert Ahlstrom
We had a great show and a very good turnout for our first program.
We want to thank James Paulk for a very nice review/article that appeared on Wedenesday in the AJC. James is a new writer who is working with Pierre at the AJC.
We are organizing new concerts now. We are open to all professional performers interested in presenting 21st century music, or composers that would like to submit music to our expanding core group, or have other professional performers in mind.
We had quite a diverse audience and some of the audience members told me that, though they might not have understood all of the music, they did enjoy hearing the music played so well. This is our goal- interesting, varied and professionally performed programs of 21st century music, with Atlanta music being part of the focus.
—Albert Ahlstrom
ASO gets Mellon Grant
Some information about the ASO's latest grant it was awarded. Part of it dedicated for new music: http://www.atlantasymphony.org/documents/Release_102507_Mellon.pdf
Thursday, October 18, 2007
Midtown Brass Performs Work by Atlanta Composer, Erik Kofoed
(Submitted by Erik Kofoed, composer, and Paul Poovey, trumpet for Midtown Brass)
Sunday,10/21 from 3-4:30pm at the Florence Kopleff Recital at Georgia State University
For anyone who is interested the Midtown Brass Quintet is playing my piece, 'The Green Movement' this Sunday afternoon at Georgia State University. I will also be MCing the concert for them. They are a fanstastic ensemble and have a very cool program. Come out and support live, new music. The details follow.
MIDTOWN BRASS QUINTET IN RECITAL
For those that missed us at the 5 seasons in Alpharetta back in August, we’re giving a recital(free event) at Georgia State University on Sunday,10/21 from 3-4:30pm at the Florence Kopleff Recital Hall Here are directions from the GSU website:
http://www.music.gsu.edu/locations.aspx
For those of you who haven’t seen us live yet, we try to cover all the bases when we perform. You’ll hear music from Bach, the Beatles, the Swing era, and we’re please to feature several new works for brass quintet,including a really nice piece by film composer Michael Kamen, and a couple more by up-and-coming local composer, Erik Kofoed.
Again, I hope many of you can come out and support LIVE music, and don’t hesitate to contact me if you have any questions!
Sunday,10/21 from 3-4:30pm at the Florence Kopleff Recital at Georgia State University
For anyone who is interested the Midtown Brass Quintet is playing my piece, 'The Green Movement' this Sunday afternoon at Georgia State University. I will also be MCing the concert for them. They are a fanstastic ensemble and have a very cool program. Come out and support live, new music. The details follow.
MIDTOWN BRASS QUINTET IN RECITAL
For those that missed us at the 5 seasons in Alpharetta back in August, we’re giving a recital(free event) at Georgia State University on Sunday,10/21 from 3-4:30pm at the Florence Kopleff Recital Hall Here are directions from the GSU website:
http://www.music.gsu.edu/locations.aspx
For those of you who haven’t seen us live yet, we try to cover all the bases when we perform. You’ll hear music from Bach, the Beatles, the Swing era, and we’re please to feature several new works for brass quintet,including a really nice piece by film composer Michael Kamen, and a couple more by up-and-coming local composer, Erik Kofoed.
Again, I hope many of you can come out and support LIVE music, and don’t hesitate to contact me if you have any questions!
Wednesday, October 17, 2007
Five Points Ensemble to debut Oct. 22
[The following announcement was submitted by composer Albert Ahlstrom.]
Five Points Ensemble
Mon. Oct. 22nd, 7:30 at GSU
Everyone is invited to the first program by Atlanta'a newest new music group "Five Points Ensemble" Mon. Oct 22 at 7:30 at GSU. This is a group that will be playing only music of the 21st century (no historical music from the 60s and 70s) that interests the performers. We want this group to be a performer/composer collective that will program works by many composers in the Atlanta area, as well as new music from around the world.
Kenneth Long, clarinet - Nickitas Demos, Tonoi III for solo clarinet (2001)
Christopher Rozmarin, trombone - Jean-Francois Michel, Homage for Jean Tinguely
Sarah Ambrose, flute - Andrew Rindfleisch, Tears for solo flute
Albert Ahlstrom, piano/composer - Summer Sky for solo piano (2006)
Adam Pendleton, saxophone - Zachary Crockett, Fight to Flow Between for solo saxophone (2006)
Here are the goals of the group:
1. Performer driven
Repertoire selected by a professional performer or group - professional as in faculty at music school or regularly performing in public throughout the metro area.
2. Collective, No curatorial oversight
The music will be selected by the performers and there will not be a theme or focus to the programs. Ideally there will be a mix of live, electronic interactive, edgy, somewhat traditional - all of which will be interested in conveying new ideas. This group is a collective gathering of people interested in hearing and performing new music. Hopefully our concerts will be engaging, stimulating, not fall into any set style of new music, and will reach out to a wide variety of audiences. I would love to see some jazz players, video artists, etc. blending on these concerts.
3. No funding or grant proposals
New music groups in Atlanta often become bogged down in the funding process. The limitation and source of funds can limit the number of the programs presented, and often limit the programming. There will be no funds provided for performers. We want to present enough concerts that we will be seen as a regular source of new music, and we want our programs to be known as varied and engaging. As part of this idea we will present programs in places such as museums, libraries, art galleries, etc.
4. Be a venue for new music
Rather than squeeze one new piece on a program with lots of old music, this will be a way for a group to present one new piece without having to prepare an entire program. Then the group will be able to enjoy hearing other new music without having to worry about performing several other pieces that same night. This of course implies that the performers have an interest in new music, and hopefully this will be a way to bring these performers and the composers in Atlanta together to build a community. To this end we are planning for simple receptions after the programs that will be opportunities for everyone to socialize.
5. An Atlanta Composer angle
We will have several pieces on each program that will be written by Atlanta area composers. This will always be a key component of the group, but we do not want to limit the repertoire to exclude music from around the world. Part of our objective is to make the composition that is taking place in Atlanta a part of the world community of music.
—Albert Ahlstrom
Five Points Ensemble
Mon. Oct. 22nd, 7:30 at GSU
Everyone is invited to the first program by Atlanta'a newest new music group "Five Points Ensemble" Mon. Oct 22 at 7:30 at GSU. This is a group that will be playing only music of the 21st century (no historical music from the 60s and 70s) that interests the performers. We want this group to be a performer/composer collective that will program works by many composers in the Atlanta area, as well as new music from around the world.
Kenneth Long, clarinet - Nickitas Demos, Tonoi III for solo clarinet (2001)
Christopher Rozmarin, trombone - Jean-Francois Michel, Homage for Jean Tinguely
Sarah Ambrose, flute - Andrew Rindfleisch, Tears for solo flute
Albert Ahlstrom, piano/composer - Summer Sky for solo piano (2006)
Adam Pendleton, saxophone - Zachary Crockett, Fight to Flow Between for solo saxophone (2006)
Here are the goals of the group:
1. Performer driven
Repertoire selected by a professional performer or group - professional as in faculty at music school or regularly performing in public throughout the metro area.
2. Collective, No curatorial oversight
The music will be selected by the performers and there will not be a theme or focus to the programs. Ideally there will be a mix of live, electronic interactive, edgy, somewhat traditional - all of which will be interested in conveying new ideas. This group is a collective gathering of people interested in hearing and performing new music. Hopefully our concerts will be engaging, stimulating, not fall into any set style of new music, and will reach out to a wide variety of audiences. I would love to see some jazz players, video artists, etc. blending on these concerts.
3. No funding or grant proposals
New music groups in Atlanta often become bogged down in the funding process. The limitation and source of funds can limit the number of the programs presented, and often limit the programming. There will be no funds provided for performers. We want to present enough concerts that we will be seen as a regular source of new music, and we want our programs to be known as varied and engaging. As part of this idea we will present programs in places such as museums, libraries, art galleries, etc.
4. Be a venue for new music
Rather than squeeze one new piece on a program with lots of old music, this will be a way for a group to present one new piece without having to prepare an entire program. Then the group will be able to enjoy hearing other new music without having to worry about performing several other pieces that same night. This of course implies that the performers have an interest in new music, and hopefully this will be a way to bring these performers and the composers in Atlanta together to build a community. To this end we are planning for simple receptions after the programs that will be opportunities for everyone to socialize.
5. An Atlanta Composer angle
We will have several pieces on each program that will be written by Atlanta area composers. This will always be a key component of the group, but we do not want to limit the repertoire to exclude music from around the world. Part of our objective is to make the composition that is taking place in Atlanta a part of the world community of music.
—Albert Ahlstrom
Thursday, October 04, 2007
neoPhonia 10/9/07
From Nick Demos -
You are cordially invited to the first neoPhonia New Music Ensemble concert of the 2007/08 season.
We take a look at all those mundane and seemingly unimportant moments in life: an unnoticed street performer, the smell of rain, a typical day in the life of a music school as well as the act of breathing and dancing. In the hands of skilled composers, these moments are revealed as extraordinary. Join us as we reveal the Extraordinary Ordinary... on the next neoPhonia concert.
The concert takes place at on Tuesday, October 9 at 7:30 PM in the Kopleff Recital Hall on the campus of Georgia State University in lovely downtown Atlanta and is, of course, FREE and open to the public.
program:
A Minute of News by Eugene NOVOTNEY
for solo snare drum
The premiere of Petrichor by GSU alumnus Adam Scott NEAL
for clarinet and computer generated sounds
09.17.2003 by Mike McFERRON
for Stereo Digital Audio Media
Balafon by Christian LAUBA
for solo alto saxophone
[Bi:guni chum] by Dohi MOON
for cello trio
The concert will feature GSU Faculty Artists Kenneth LONG, clarinet and
Adam PENDLETON, saxophone
The Kopleff Recital Hall is located within the Arts and Humanities Building which is on the corner of Peachtree Center Avenue and Gilmer Street in downtown Atlanta. Street parking may be available in this area, or you may use I-Lot (Peachtree Center Ave). For more detailed directions and maps, please check out the GSU School of Music website at
http://www.music.gsu.edu
As always, you will be able to meet and greet the composers and performers after the concert at a reception hosted by the GSU Student Chapter of the Society of Composers, Inc. (SCI).
You are cordially invited to the first neoPhonia New Music Ensemble concert of the 2007/08 season.
We take a look at all those mundane and seemingly unimportant moments in life: an unnoticed street performer, the smell of rain, a typical day in the life of a music school as well as the act of breathing and dancing. In the hands of skilled composers, these moments are revealed as extraordinary. Join us as we reveal the Extraordinary Ordinary... on the next neoPhonia concert.
The concert takes place at on Tuesday, October 9 at 7:30 PM in the Kopleff Recital Hall on the campus of Georgia State University in lovely downtown Atlanta and is, of course, FREE and open to the public.
program:
A Minute of News by Eugene NOVOTNEY
for solo snare drum
The premiere of Petrichor by GSU alumnus Adam Scott NEAL
for clarinet and computer generated sounds
09.17.2003 by Mike McFERRON
for Stereo Digital Audio Media
Balafon by Christian LAUBA
for solo alto saxophone
[Bi:guni chum] by Dohi MOON
for cello trio
The concert will feature GSU Faculty Artists Kenneth LONG, clarinet and
Adam PENDLETON, saxophone
The Kopleff Recital Hall is located within the Arts and Humanities Building which is on the corner of Peachtree Center Avenue and Gilmer Street in downtown Atlanta. Street parking may be available in this area, or you may use I-Lot (Peachtree Center Ave). For more detailed directions and maps, please check out the GSU School of Music website at
http://www.music.gsu.edu
As always, you will be able to meet and greet the composers and performers after the concert at a reception hosted by the GSU Student Chapter of the Society of Composers, Inc. (SCI).
Wednesday, October 03, 2007
Knox's Semordnilap No. 2 to be performed tonight at Bargemusic
Cary and Dorothy Lewis (former Atlantans, now based in Portland, Oregon) write to let us know about their NYC performance tonight which includes music by Atlanta composer Charles Knox:
"we are in nyc right now playing tonight at bargemusic including chas' 2002 ..." says Cary.
Bargemusic is Brooklyn's floating concert hall for chamber music, on an actual barge docked at the Fulton Ferry Landing on the East River.
Here's the whole program:
October 3 • Wednesday, 8 pm at Bargemusic
Charles Knox: Semordnilap No. 2 ("2002")
Edwin Robertson: Music for Cello and Piano
Mozart: Sonata in e minor, K. 304 (arr. for Viola and Piano)
Chopin: Piano Trio in g minor, Op. 8, CT. 206 (arr. for Viola, Cello and Piano)
Daniel Avshalomov, viola
Dorothy Lewis, cello
Cary Lewis, piano
Composers: What ideas might Bargemusic suggest to you for alternative performance spaces around Atlanta? Let's hear your thoughts.
"we are in nyc right now playing tonight at bargemusic including chas' 2002 ..." says Cary.
Bargemusic is Brooklyn's floating concert hall for chamber music, on an actual barge docked at the Fulton Ferry Landing on the East River.
Here's the whole program:
October 3 • Wednesday, 8 pm at Bargemusic
Charles Knox: Semordnilap No. 2 ("2002")
Edwin Robertson: Music for Cello and Piano
Mozart: Sonata in e minor, K. 304 (arr. for Viola and Piano)
Chopin: Piano Trio in g minor, Op. 8, CT. 206 (arr. for Viola, Cello and Piano)
Daniel Avshalomov, viola
Dorothy Lewis, cello
Cary Lewis, piano
Composers: What ideas might Bargemusic suggest to you for alternative performance spaces around Atlanta? Let's hear your thoughts.
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