Saturday, October 30, 2010
neoPhonia New Music Ensemble: November 9, 2010
Friday, October 29, 2010
Bent Frequency TONIGHT (10/29)
Mauricio Kagel: Film Music, Music Performance, Performance Film
Featuring Bent Frequency
Friday, October 29, 2010 - 7:30 PM
Kopleff Recital Hall, GSU
FREE!
Mauricio Kagel, the German-Argentine composer who died in 2008, is most noted for his theatrical contributions to classical music performance. The evening will offer two of Kagel's short films, Unter Strom and Antithese, and performances of Kagel's Schattenklange for bass clarinet and Match for Two Cellos and Percussion. Match is a dialogue for two celli with a percussionist serving as the umpire. It is not only a match in sounds, but also in physical reactions, keeping the umpire busy! Sponsored by the Center for Collaborative and International Arts (CENCIA), which brings together creative writers, visual arts, composers, musicians, actors and playwrights, filmmakers and scholars engaged in arts-related research at Georgia State.
Wednesday, October 27, 2010
Press Release: Composer Brian Skutle Goes "Beyond the Infinite" for his Fourth Album
In 1999, Skutle was a student at Georgia State University when he composed "Beyond the Infinite," a 3 1/2 minute work inspired by the music of Gyorgy Ligeti and the cinema of Stanley Kubrick as it collided in the landmark 1968 film "2001: A Space Odyssey", and the musical seed that would grow into the album of the same name. Adapted from the short story "The Sentinel" by Arthur C. Clarke, "2001" was an ambitious film that tracked man's evolution in intelligence and technology back from the "dawn of man" to the early 21st Century, when the crew of Discovery One is sent to explore a mysterious signal that was directed towards Jupiter from an artifact on the moon. With Oscar-winning visual effects and limitless imagination, Kubrick's iconoclastic sci-fi film has confounded and enthralled audiences ever since its first release during the "space race" of the late '60s.
Skutle was one of those both confounded and enthralled by the film. As he wrote in his 2002 review, "But like the finest cinematic mind-benders, the more times you watch, the more the underlying meaning and form of Kubrick’s film reveals itself...whether you see it as a spiritual epic or pretentious bore, '2001' is a landmark of special effects and sound design." It wasn't just the sights that engaged him: Kubrick's use of classical music to score the action also imprinted itself on Skutle; that and the knowledge of an unused score by Alex North gave him the idea for "Beyond the Infinite."
As he writes in the liner notes for the album, "Conceived in part as an 'alternative soundtrack' to '2001' as much as it is a tone poem, 'Beyond the Infinite' takes its cues, on a musical level, as much from Alex North's elegant, unusued score for '2001' as much as it does the collection of Ligeti, J. Strauss, R. Strauss, and Khachaturian Kubrick used in his epic. The goal was to meld the tonal continuity of North's music with the experimental amalgam of Kubrick's chosen selections...So you have waltz-like works performed by synthesized sounds instead of strings, motifs performed in both chamber and electronic configurations, and pieces that carry a more traditional music structure programmed next to ones of a more avant garde nature."
In the spirit of his conception of "Beyond the Infinite" as an alternative soundtrack to the film, Brian Skutle has chosen an original approach to releasing the album. In addition to being available for purchase at online retailers such as CDBaby and iTunes (along with his other three albums- "Creative Beginnings", "Dark Experiments", and "Sonic Visions of a New Old West"), Skutle has created a special commentary for "2001: A Space Odyssey" which places the pieces of "Beyond the Infinite" in context of the moments in the film they were inspired by, along with newly-recorded commentary that goes in depth onto not only his thoughts on the film itself, but also the creation of "Beyond the Infinite: A Musical Odyssey." Downloadable from www.sonic-cinema.com, the track allows for a new experience in watching the film, as well as gives voice to an artist and critic with a lot to say as both about this singular work of art.
Thanks for listening,
Brian Skutle
www.sonic-cinema.com
www.reverbnation.com/brianskutle
www.myspace.com/brianskutle
www.myspace.com/cinemanouveau
www.youtube.com/bskutle
Sonic Cinema Shop
"Creative Beginnings" at CDBaby
"Dark Experiments" at CDBaby
"Sonic Visions of a New Old West" at CDBaby
"Beyond the Infinite: A Musical Odyssey" at CDBaby
Friday, October 22, 2010
Cerberus Percussion Group @ Red Light Cafe 11/19/10
Cerberus Percussion Group is playing the Red Light Cafe at 9PM on Friday, 11/19/10. Alt-country/folk acts EB Reece (GSU student!) and Adam Klein open at 7:30 and 8:00, respectively.
On the program:
Catfish - Mark Applebaum
Pachamama - Adam Scott Neal
The Frame Problem - James Romig
Attica - Frederic Rzewski
Admission is $7, but supporting contemporary music is priceless.
Feel free to RSVP via facebook here.
Program Notes:
Catfish (2003) - Intense, but always with a sick Californian sense of humor, Catfish is a vexing and delightful listening experience. -John Zorn
Pachamama (2009) is a piece for percussion trio. Each player has a 'melodic' instrument (conch shell, ocarina, melodica), some kind of drum (up to them), another 'rhythmic' percussion instrument (shaker, stones, log drum) and an 'atmospheric' instrument (frog guiro, box of pebbles, paper and plastic bags).The form is based on a 9x9 magic square. The number in each square determined the number of measures (in 4/4) that each instrument, dynamic, or rhythmic pattern would last. It will sound a lot less arbitrary than that description. What to listen for, in a nutshell - different instruments will come and go. They will gradually fall into a groove, the groove may become less apparent, then appear again. If you listen closely, you may notice that each player is actually in his own meter. -Adam Scott Neal
The Frame Problem (2003) The title refers to a primary difficulty in designing robots and computer programs with "artificial intelligence." Human brains have a remarkable ability to "frame" information: in an instant, we are able to observe and organize an enormous amount of data, sorting and categorizing what is relevant and what is not. When listening to music, one of the primary hierarchical "frames" we create is that of meter. In this percussion trio, multiple distinct meters occur concurrently—in different lines, at constantly shifting dynamic levels, and in different timbral aggregations—providing human listeners with the opportunity to resolve multiple overlapping “frames” simultaneously. Robots in the audience will probably just be confused. -James Romig
Attica (1972), the earliest work on tonight’s program, is also one of Rzewski’s earliest compositions to feature an overtly political message. A lush repetitive tonal sequence is punctuated by a narrator’s intoned text, gradually expanding one word at a time; the sequenced is derived from a statement made by Richard X. Clark, one of the organizers of the 1971 Attica prison uprising, upon his release in February 1972: “Attica is in front of me.” Although Attica is being presented on its own this evening, it was originally conceived as a companion piece to the more visceral Coming Together, whose narration is based on the words of a less fortunate Attica inmate, radical antiwar activist Sam Melville (“Mad Bomber” Melville), who was killed by police during the uprising. -Kyle Gann
Tuesday, October 19, 2010
neoPhonia concert review
I hesitate to call this a review because I'm not a professional journalist and I'm only going to say a few words of my impressions of the evening. For a critic's review, please see Pierre Ruhe's write-up on ArtsCriticATL.com.
This concert, which began the 16th season of neoPhonia, was an evening of three Atlanta native composers--Charles Knox, Mark Gresham, and Brent Milam. Charles Knox, born 1929, is our 'founding father', the oldest and most mature composer living and working in the Atlanta area. This concert was largely in honor of Mr. Knox. The evening was framed by his works, both the first and last pieces written by him. And a few words were said in his honor by Dwight Coleman, who spoke of working with Knox on an opera [could someone who knows more please provide details] and of Knox's 45-year relationship with the School of Music.
All composers were in attendance. It was greet to meet and chat with them before and after the show.
Following is the program with some of my notes...
KNOX / Song & Double (1984) for oboe & piano
All I wrote for this one was "beautiful". ;)
GRESHAM / Vagabond Drumming, Book IV (2010 - premiere) for percussion duo
Excellent and perhaps my favorite of the pieces in Gresham's Vegabond Drumming series.
Made use of blocks, bongos, snare, tamborine, cymbals and chimes. The blocks started together and then the percussion combined in different ways. The third movement was polyrhythmic, the fourth seemed Asian inspired with the pentatonic pitched blocks, the fifth got louder with snare, bongos, and blocks. I think Mark was very pleased with this performance, as he should be, it was great.
MILAM / Between The Walls (2010 - premiere) for flute, Bb clarinet, cello & piano
Great work. The first movement started off softly dissonant, but stayed light and went into jazzy playfulness. The second movement was soft and gentle. The third and most memorable to me started playfully pizzicato and pointillistic and gradually got more intense, melodic, and dense, a disintegration process in reverse. Very cool!
GRESHAM / Genshi (2010 - premiere) for Bb clarinet & viola
This was a beaufiful piece with much counterpoint, sometimes chasing, sometimes opposing. The clarinet and viola were in continual play with one another. I heard some intonation issues in the viola in several parts. I don't think the microtones were intended ;), but it did not take away from the beauty and delightfulness of the piece.
KNOX / The Framing Of This Circle (1999) for horn, violin & piano
WOW! This was the powerhouse of the evening. I don't have words to describe it. You just have to find a recording of it (if there is one; I hope there is!) and hear it for yourself. Swept me up, heart and soul. This was a fitting finale and brought the whole concert (which was already great to begin with) to a grand conclusion. This was absolutely the most mature piece on the program, which is not surprising given that Knox has decades on us in composing experience. : ) The instrumentation was a perfect union. The writing was in perfect relationship. Amazing piece!
Btw, here's the #neophonia Twitter feed with what I tweeted from the show (in between pieces, of course!)
Anyone else who was there, please feel free to add your comments.
Saturday, October 16, 2010
iPad Concert idea
There are many apps to choose from.
Here are some of my favorites:
Would anyone like to join me in composing iPad pieces and putting on a show?
Tuesday, October 12, 2010
Curtis Bryant - Atlanta Faith Partners Concert - October 17
Sunday, October 10, 2010
GSU Bands with world premiere by Tim Jansa - October 21, 2010
During the inaugural concert of the 2010/2011 season, Robert J. Ambrose will lead internationally renowned euphonium soloist Adam Frey and the Georgia State University Symphonic Wind Ensemble in the world premiere performance of "Concierto Ibérico" for solo euphonium and concert band by local German-American composer Tim Jansa. This is a large-scale symphonic work of almost 28 minutes in length and built around 3 major festivals of Spain: The Festival of San Fermin in Pamplona, the Semana Santa, and the Fallas of Valencia.
This work was named a finalist for the 2010 Harvey G. Phillips Award for Compositional Excellence.
The performance will take place on Thursday, October 21, at 7:30 pm at the Rialto Center for the Arts. Admission is free.
The Symphonic Wind Ensemble will also present works by McAllister, Stravinsky and Bach. The Wind Orchestra will perform works by Whitacre, Grainger, Persichetti and Goldman.
Robert J. Ambrose & Chester Phillips, conductors
Tim Ellison, graduate assistant conductor
Adam Frey, euphonium
More info can be found at http://www.music.gsu.edu/events.aspx and at http://www.timjansa.com/works/concierto-iberico-2009
Friday, October 08, 2010
neoPhonia New Music Ensemble: October 19, 2010
Wednesday, September 22, 2010
Composer & Flutist Robert Cronin in Concert!
Wednesday, September 15, 2010
Sonic Generator Concert
More information at http://www.sonicgenerator.gatech.edu. Hope to see you there!
Monday, September 13, 2010
24-Hour Opera Project by Atlanta Opera
Saturday November 06, 2010
Sunday November 07, 2010
Composers, lyricists, stage directors and opera singers from all over may apply to join in the project. Composers and lyricists selected to participate will be randomly paired together and will have 12 hours to write an opera! At the end of 12 hours, the pieces will be assigned to participating stage directors, who will draft singers from a pool of applicants and have 8 hours to rehearse before presenting the pieces on a showcase concert 12 hours after the project begins! It’s a whirlwind of music and drama!
Who can participate?
Composers, lyricists, stage directors, and singers may apply (experience required).
Download the appropriate application:Composer Application (PDF)
Lyricist Application (PDF)
Singer Application (PDF)
Stage Director Application (PDF)
What are we talking about?
We’re talking about opera insanity! 24 hours to compose, rehearse, and perform an opera with strangers. Prizes will be awarded following the showcase concert in the following categories: Best Use of Props, Most Diva-liscious, Best Death Scene, and Best Overall Composition.
Where will the event take place?
The 24-Hour Opera Project will take place on the campus of Georgia State University.
When will this happen?
November 6-7, 2010
Why are we subjecting ourselves to such madness?
Because we’re crazy! (And we want everyone to see how cool opera is!)
Still have questions?
Please contact The Atlanta Opera education department at 404.881.8801 or education@atlantaopera.org.
The Fine Print:
Compositions must 7-10 minutes in length, written and performed in English and scored for 4 singers (soprano/mezzo/tenor/bass) with piano, and composed around a specific themed (top secret until November 6!). Pre-existing compositions will not be eligible. Composition teams will be paired randomly, compositions will be assigned to stage directors randomly, and participating singers will be selected to perform through a “live” singer draft. Submission of application in any category does not guarantee participation and artists may only apply in one discipline; Applicants selected to participate will be notified by October 25.
Monday, August 23, 2010
Mark your calendars for September 17th!
I am happy to announce TWO concerts of contemporary music happening on Friday, September 17th. They overlap slightly, but there is a good chance you can make it to both. I strongly urge you to support contemporary music in Atlanta by attending at least one of these concerts.
Concert 1:
Atlanta/NĂĽrnberg: Sister Cities in Concert
Featuring Bent Frequency
Friday, September 17, 2010 - 7:30 PM
This concert of NĂĽrnberg and Atlanta-based composers will include works by Vivienne Olive and Dieter Buwen (NĂĽrnberg) and Tim Jansa, Nick Demos and Robert Scott Thompson (GSU, Atlanta). Sponsored by the Center for Collaborative and International Arts (CENCIA), which brings together creative writers, visual arts, composers, musicians, actors and playwrights, filmmakers and scholars engaged in arts-related research at Georgia State.
Venue: Rialto Center for the Arts
Cost: FREE
Concert 2:
Cerberus Percussion Group + Darren Nelsen
Friday, September 17, 2010 - 9:00 PM
Cerberus Percussion Group (Drew Dolan, Caleb Herron, Brandon Dodge - joined by Adam Scott Neal, keyboards) is performing at Kavarna. The program will include:
Adam Scott Neal - Pachamama (premiere)
Frederic Rzewski - Les Moutons de Panurge
Louis Andriessen - Workers Union
Mark Applebaum - Catfish
And more!
Composer-guitarist Darren Nelsen will be opening.
Venue: Kavarna
Cost: FREE
Tuesday, August 03, 2010
Two Passions Collide: A Movie Review & A Musical Journey
Thanks for listening,
Brian Skutle
www.sonic-cinema.com
Tuesday, July 27, 2010
Third Annual Guthman Musical Instrument Competition: Call for Entries
Inventors, composers, creators, and designers are encouraged to submit their musical instrument inventions to the 2011 Margaret Guthman Musical Instrument Competition. The event is hosted by the Georgia Tech Center for Music Technology and features a grand prize of $5,000. In total, $10,000 in cash prizes will be awarded to the best novel musical instruments. Entries will be accepted through October 1, 2010 via an Online Submission Form and notification of acceptance will be provided November 1, 2010.
The competition, which will take place February 24-25 2011, will be judged by an expert panel including Tom Oberheim, inventor of the first polyphonic music synthesizer, Sergi Jorda, inventor of the Reactable tabletop musical instrument, Georgia Tech professor Jason Freeman, and Wired.com music journalist Eliot Van Buskirk. This annual competition is supported by the philanthropic gifts of Tech alum Richard Guthman in honor of his wife Margaret. It showcases new uses of technology to enhance participation in music performance and music creation.
For more information about previous iterations of the competition, judging criteria, submission format etc. go to our website.
We are looking forward to receiving your submissions, and please feel free to distribute this information to other interested parties,
Friday, July 23, 2010
“Anatomy of a Film Score” seminar with Hummie Mann

ANNOUNCEMENT: THE SEMINAR HAS BEEN RESCHEDULED! EARLY SIGNUP DISCOUNT IS NOW AVAILABLE. SEE BELOW FOR DETAILS.
September 25 – 26, 2010
10 am – 6 pm each day
At the Nashville Film Institute The Factory, Franklin, Tennessee click here for a map/directions – parking is free for attendees lodging is available in nearby Cool Springs
The Nashville Composers Association presents the two-day seminar “Anatomy of a Film Score” with two-time Emmy-award winning composer/arranger Hummie Mann. Hummie has collaborated with some of Hollywood’s most celebrated directors in both theatrical and television films. His motion pictures projects have ranged from Mel Brooks’ “Robin Hood: Men in Tights” to Peter Yates’ “Year of the Comet”, the children’s film “Thomas and the Magic Railroad” to “Wooly Boys” directed by Leszek Burzynski starring Peter Fonda, Kris Kristofferson, Keith Carradine and Joe Mazzello. For television, he has scored projects for Simon Wincer (the miniseries “P.T. Barnum”), Jonathan Kaplan (the miniseries re-make of “In Cold Blood”), Norman Jewison (“Picture Windows – Soir Bleu”), Peter Bogdanovich (“The Rescuers: Tales of Courage – Two Women”), Joe Dante (“Masters of Horror: Homecoming”), Jim Abrahams (“First Do No Harm”), Richard Friedenberg (“Suzanne’s Diary for Nicholas”), William Friedkin, John Milius and Ralph Bakshi (all part of the “Rebel Highway” series of films), among others. Click here for Hummie’s complete credits, and here for his bio.
Anatomy of a Film Score attendees will receive 50+ pages of scores/notes with a CD of the music studied. Hummie will discuss the process of creating a score from initial concept to finished recorded music using audio and video examples. He will also discuss some specific compositional and technical film scoring techniques utilized in the process. Hummie recommends attendees bring note and manuscript paper as there will be much information you may wish to jot down. Attendees may also submit questions for Hummie ahead of time that he will address as part of the class or during the Q & A segment at the end.
You will learn, among other things:
- Where to begin? Establishing a vocabulary and policy for the score.
- Creating themes and varying them to work in different dramatic situations.
- Techniques of contracting and expanding phrase lengths to fit a film’s timing requirements.
- Discussion about various harmonic languages/progressions used in film.
- The use and control of dissonance for dramatic results.
- A step by step method of scoring a film from start to finish.
Read about the quality of Hummie’s teaching and courses here.
Anatomy of a Film Score attendees will also receive a free one-year Nashville Composers Association membership, worth $50.
To Register, click here. Seating is limited. Regular enrollment fee: $300 - includes scores and CD.
EARLY SIGNUP SPECIAL: SIGN UP AND PAY BY AUGUST 28th AT THE DISCOUNTED RATE OF $239.
Regular enrollment fee applies after August 28th.
Tuesday, June 29, 2010
Composer/flutist Lydia Ayers at Georgia Tech
Composer/flutist Lydia Ayers will be in Atlanta on Friday 2 July for a workshop at the Georgia Institute of Technology in the Couch Building Room TBA. The workshop will begin at 2:00 pm.
There is no charge -- it is free.
Among Lydia's many compositions, she will be known to many as the composer of "Time's Graffitti: Lucky Calligraphy" which was commissioned by the NFA in 2006 for the High School Soloist Competition.
Lydia will be dealing with extended techniques and music for flute and computer, and there will also be a presentation on flute and interactive-signal-processing.
If you wish to attend, please contact Catherine Bull privately at danielspyle@bellsouth.net.
Saturday, June 12, 2010
Bridging the Venue Gap (EarRelevant)
http://earrelevant.blogspot.com/2010/06/bridging-venue-gap.html
Saturday, June 05, 2010
Birds of a Feather
"Last night's performance by the Atlanta Symphony Orchestra and Chorus unveiled a pair of world premieres by composers Jennifer Higdon and Michael Gandolfi, placing them on the front burner ahead of intermission, and leaving one of the core symphonic repertoire's best-known works as a contrail in their wake. … [READ MORE]
Sunday, May 23, 2010
All 300 Fine Arts Teachers Laid Off in Detroit
Wednesday, May 12, 2010
"Anatomy of a Film Score" seminar - POSTPONED
We are working on rescheduling for this fall, most likely in September. In the meantime, everyone who has already paid for the seminar will receive a full refund, and everyone who signed up for the originally-scheduled May 22 - 23 event will receive a complimentary one-year NCA membership for the inconvenience.
We'll make an announcement once the new dates for this seminar is secured. I hope everyone in the Nashville area has come through this deluge safely and dry.
Geoff Koch, president
Nashville Composers Association
Wednesday, May 05, 2010
“Anatomy of a Film Score” seminar with Hummie Mann in Nashville, TN

May 22-23, 2010, 10 am to 6 pm
At the Nashville Film Institute
The Factory, Franklin, Tennessee
click here for a map/directions – parking is free for attendees
lodging is available in nearby Cool Springs
The Nashville Composers Association presents the two-day seminar “Anatomy of a Film Score” with two-time Emmy-award winning composer/arranger Hummie Mann. Hummie has collaborated with some of Hollywood’s most celebrated directors in both theatrical and television films. His motion pictures projects have ranged from Mel Brooks’ “Robin Hood: Men in Tights” to Peter Yates’ “Year of the Comet”, the children’s film “Thomas and the Magic Railroad” to “Wooly Boys” directed by Leszek Burzynski starring Peter Fonda, Kris Kristofferson, Keith Carradine and Joe Mazzello. For television, he has scored projects for Simon Wincer (the miniseries “P.T. Barnum”), Jonathan Kaplan (the miniseries re-make of “In Cold Blood”), Norman Jewison (“Picture Windows – Soir Bleu”), Peter Bogdanovich (“The Rescuers: Tales of Courage – Two Women”), Joe Dante (“Masters of Horror: Homecoming”), Jim Abrahams (“First Do No Harm”), Richard Friedenberg (“Suzanne’s Diary for Nicholas”), William Friedkin, John Milius and Ralph Bakshi (all part of the “Rebel Highway” series of films), among others. Click here for Hummie’s complete credits, and here for his bio.
Anatomy of a Film Score attendees will receive 50+ pages of scores/notes with a CD of the music studied. Hummie will discuss the process of creating a score from initial concept to finished recorded music using audio and video examples. He will also discuss some specific compositional and technical film scoring techniques utilized in the process. Hummie recommends attendees bring note and manuscript paper as there will be much information you may wish to jot down. Attendees may also submit questions for Hummie ahead of time that he will address as part of the class or during the Q & A segment at the end.
Read about the quality of Hummie’s teaching and courses here.
Anatomy of a Film Score attendees will also receive a free one-year Nashville Composers Association membership, worth $50.
To Register, click here. Seating is limited.
Monday, April 26, 2010
Brian Chamberlain's Graduate Recital on May 2nd
3:00 PM
Florence Kopleff Recital Hall,
Georgia State University
Slipping on the Edge of Loss nn. 35, for Solo Piano - Performed by James Walker
Left to Rust nn. 32, for Tuba and Piano - Performed by Vince Jackson and Huu Mai
Lost Hollow Road nn. 15, for Flute and Guitar Duet - Performed by: duoATL
Levee nn. 37, for Flute and Guitar Quartet - Performed by Nicole Chamberlain, Brian Smith and Athens Guitar Trio
-Intermission-
Slow Motion Exit nn. 24, for String Quintet
Ecclesia nn. 39, for Mixed Chamber Ensemble - Performed by: Mercury Season
Saturday, April 17, 2010
neoPhonia New Music Ensemble: April 20, 2010
Wednesday, April 14, 2010
Somali Radio Stations Halt Music
This is one of the saddest and most infuriating things I've ever heard.
How can this happen in the 21st century? How can human beings be so unenlightened?
Though this is not an Atlanta story, it should give us all pause. We should be grateful that we can listen to music, much less compose it. We'd probably be killed for that in Somalia. Freakin' bastards.
Jennifer Higdon wins the Pulitzer (and a Grammy!)
Mark Gresham wrote a piece on her a while back. I think it was for her 'Atlanta' piece, City Scapes. (Mark, do you want to post a link to that?)
Congratulations, Jennifer!
http://latimesblogs.latimes.com/culturemonster/2010/04/composer-jennifer-higdon-wins-pulitzer-for-violin-concerto.html
Friday, April 09, 2010
Guest artist Elliot Z. Levine, composer/vocalist
Saturday, April 03, 2010
Thursday, March 11, 2010
Sonic Generator Concert at the High Museum
Wednesday, March 31st, 2010 at 8 p.m.
Hill Auditorium, High Museum of Art, 1280 Peachtree Street
http://www.sonicgenerator.gatech.edu
http://www.facebook.com/event.php?invites&eid=360817707091
Tickets are $10 and since seating is limited, advance purchase is strongly recommended. Tickets are available from the Woodruff Center box office by phone (404-733-5000), in person (1280 Peachtree Street), or online.
Saturday, February 13, 2010
Emory Arts cancels Saturday Jazzfest event (2/13)
This is to advise you that tonight’s (2/13, 8 p.m.) Emory Big Band concert has also been canceled due to snowy and icy conditions on the Emory campus.
For weather updates and closings on the Emory University campus call the Emory Inclement Weather Hotline, 404-727-1234, for the latest official announcements.
Thank you,
Jessica Moore
--
Communications Coordinator, Center for Creativity & Arts
Emory Coca-Cola Artist in Residence Program Development Specialist
Arts at Emory
Schwartz Center for Performing Arts
1700 N. Decatur Rd.
Atlanta, GA 30322
Friday, February 12, 2010
Emory Jazz Festival cancels Friday events; Saturday still scheduled with an eye on weather
This is to advise you that today’s (2/12) 3:30 p.m. rhythm section masterclass and the 8:00 p.m. Jazz Festival concert featuring John Clayton have been canceled due to inclement weather.
Tomorrow, Sat., Feb. 13’s 8:00 p.m. concert with the Emory Big Band is still scheduled to proceed until further notice.
For weather updates and closings on the Emory University campus call the Emory Inclement Weather Hotline, 404-727-1234, for the latest official announcements.
Thank you,
Jessica Moore
--
Communications Coordinator, Center for Creativity & Arts
Emory Coca-Cola Artist in Residence Program Development Specialist
Arts at Emory
Schwartz Center for Performing Arts
1700 N. Decatur Rd.
Atlanta, GA 30322
Tonight's "Maurico Kagel" event cancelled
Dear Patron,
It is with regret that I must inform you that we are canceling tonight's
concert of Mauricio Kagel film and music. Georgia State University has
closed its offices and buildings as of noon today in anticipation of the
inclement weather coming to Atlanta. We regard your safety as very
important so we respect the University's decision.
However, this is an important event to us and we will work to reschedule
it as soon as we can. When the new date and time are known, we will be
sure to contact you.
Mauricio Kagel's work asks us to smile and laugh at the human condition.
So, we are choosing to find the humor in the events of today and our
approaching snow storm. We hope that you spend this evening in good
company and safely off the roads.
Jen Waters
Associate to the Director
CENCIA
Wednesday, February 03, 2010
Jennifer Higdon wins Grammy
Read the article about Jen's Grammy win in NewMusicBox: http://www.newmusicbox.org/article.nmbx?id=6258
Wednesday, January 13, 2010
Sonic Generator Concert with Michael Gordon
Most readers of this blog already know Gordon's music through his association with Bang on a Can and his fascinating collaborations with filmmaker Bill Morrison. We're delighted to be bringing Michael down to Atlanta and to be sharing his music with you.
Full details on our web site: http://www.sonicgenerator.gatech.edu
Hope to see you there!
Tuesday, January 05, 2010
Cobb Symphony Premieres Works by Two Atlanta Composers
Inspired by the works of Brian Froud, "The Pond" by Jen Mitchell is a ballet loosely based on the Grimm's fairy tale, "The Nix in the Pond." This suite is extracted from Act II. In Act I, a maiden plays her flute in the forest and enchants a prince as he hunts. They immediately fall in love. Act II opens with the prince hunting alone in the forest. Having overheard the maidens tune, an evil water sprite plays the tune and lures the prince into her pond. The maiden is drawn to the pond with the help of forest fairies and sees the prince trapped under the water sprite's spell. She and the water sprite battle for the prince by playing their flutes, but the maiden breaks the prince from the water sprite's spell and they flee. In Act III, the maiden and the prince have a forest wedding and celebrate with the forest fairies. The evil water sprite asks for forgiveness and bestows gifts upon the newlyweds, and they all rejoice together.
Robert Cronin, flutist for the Atlanta Symphony, will have his work "Concerto for Flute and Orchestra" premiered as well. His wife, Christina Smith also flutist for the Atlanta Symphony, will be the soloist. The work is in two movements, and in Christina's own words is "very exciting and lyrical. Can't wait to play it!".
Seems like it will be a flutastic night!
Friday, December 18, 2009
Derek Sivers' 7 Critical Marketing Basics Every Musicians Should Know
"Derek Sivers' 7 Critical Marketing Basics Every Musicians Should Know"
Derek Sivers is best known as the founder of CD Baby.
Monday, November 23, 2009
Thursday, November 12, 2009
Michael C. Bell: CD Release Party
Masterful storytelling told through piano and orchestra
Tender, emotional music, laced with beautiful melodies
A journey that can be experienced actively or passively by the listener
Sit back, close your eyes, or let yourself fall gently to sleep as you listen to this elegant collection of songs from newcomer Michael C. Bell
CD Release Party @ Starbucks - Sat. Nov. 14 from 7pm to 9pm
435 Peachtree Pkwy
Suite 400
Cumming GA 30041
www.michaelcbellmusic.com
400 - Exit 13
Across from the Avenue
I need a bassist
The style of music is like King Crimson, Electric Kompany, and Frank Zappa, among others.
My immediate need is for an upcoming Dec. 11th gig at Eddie's Attic. I plan to do 3-4 rehearsals before then.
Please let me know if you or someone you know is interested. I need someone *quick*! :)
Thanks!
"Irreplaceable Doodles" - Tuesday, Nov. 17

an evening of meaningfully unaccompanied musical modernism
featuring the irrationally exuberant music of
Karl Henning
and the tastefully delicious world premiere of “Smorgasbord” by
Nicole Randall-Chamberlain
as performed by the composers themselves
Karl Henning, clarinet & Nicole Randall-Chamberlain, flute
Tuesday, 17 November 2009 at 8:00 p.m.
within the acoustical accoutrements of
Emory Presbyterian Church
1886 North Decatur Rd. NE, Atlanta, GA 30307
$10 general admission / $5 students with I.D.
at the door
(sorry, we are unable to accept credit/debit cards)
for more information, click here (Facebook event page)
or e-mail concerts@luxnova.com
or (if you absolutely must) tel. 404-654-3918 (Google Voice number)
Saturday, November 07, 2009
Local Composer Seeks Volunteer Singers (Eyedrum Art Gallery)
Hello,
I am a composer and performance artist living and working in the Atlanta area.
I am seeking volunteer singers to perform with my vocal ensemble on Saturday November 14 at the Eyedrum Art and Music Gallery in Atlanta. The performance will be one of many at Eyedrum's First Annual Earball, a day-long festival of music and sound-based artworks and performances.
The compositions to be performed are, simply put, rounds for any large group of singers (of any ability, range, age, gender, etc. much like a church congregation) to perform. More specifically, the pieces are composed to explicitly demonstrate the physical and spatial aspect of group singing. Singers will be divided into groups and strategically placed around the gallery. When the pieces are performed audience and performers alike will experience the music "moving" throughout the gallery space.
I will be teaching the pieces to the ensemble shortly before the performance. In order to successfully perform the pieces I need as many voices as possible to participate. If you are interested in performing with my ensemble please contact me for more information.
The following is a schedule for the performance:
Saturday November 14 - Eyedrum Gallery
1:00 pm - Performers arrive at Eyedrum Gallery
1:30 - 2:30 - instruction and practice singing of the music
2:30 - 4:00 - break to observe other performances, grab a bite, etc.
4:00 - 5:00 perform!
Please contact me if you have any questions about my work or the event. This is an opportunity not only to perform new works by a local composer but to support and contribute to the richness and variety of Atlanta's art and music scene. Additionally, by participating you will be supporting Eyedrum Gallery, a bastion of underground and experimental art in Atlanta for more than a decade now. Eyedrum recently narrowly escaped closing its doors due to financial hardship.
Hope to hear from you, many thanks
Daniel Clay
daniel AT danielclaymusic DOT com
danielclaymusic.com
http://atlanta.craigslist.org/atl/muc/1451148438.html
Saturday, October 31, 2009
neoPhonia New Music Ensemble: Nov. 9, 2009
Join us for the second concert of our 15th Anniversary Season! Our program is entitled "PENTE: Music for Quintets." Featured works include:
Devil Sticks for 5 clarinets by Scott McALLISTER
Six Bagatelles for Woodwind Quintet by György LIGETI
Clarinet Quintet for Clarinet in A and strings by Piet SWERTS
Date: MONDAY, NOV. 9, 2009
Location: Kopleff Recital Hall
Note the special start time: 7:00 PM
It will be a slightly shorter program than usual (sorry no reception this time) because we want to encourage students and audience members to attend the GSU Wind Ensemble concert that takes place at 8 PM that same night in the Rialto Center. They will be featuring the music of composer John Mackey.
Hope you can attend both concerts!
For more info (including directions to venues, parking, etc.) visit the GSU School of Music website at : http://www/music/gsu/edu
Wednesday, October 28, 2009
Sonic Generator Concert
their opening concert of the season at the Georgia Tech Alumni House:
The French-American Connection
Monday, November 16th, 2009 @ 8 p.m.
190 North Avenue
http://www.sonicgenerator.gatech.edu/upcoming_concerts/monday_november_16_2009.html
http://www.facebook.com/event.php?eid=161272953309&ref=mf
The concert, which is free and open to the public, features compositions by
Philip Glass, Pierre Jodlowski, Steve Reich, François Sarhan, Edgard Varèse,
and John Zorn.
For more information about Sonic Generator and this concert (including
directions), please visit:
http://www.sonicgenerator.gatech.edu
We hope to see you there!
Wednesday, October 21, 2009
Maximum Exposure
The following message came in an e-mail from Derek Sivers, the guy who founded CD Baby. You might find it useful. I would love to see your comments posted here. --Mark Gresham
Ariel Hyatt of Ariel Publicity just released a great free PDF/ebook collecting the best advice on how a musician can get maximum exposure in 2009:
http://www.hypebot.com/IndieMaxExpFinal.pdf
Download, read and use some of the ideas in there. Enjoy!
--Derek Sivers http://sivers.org
Wednesday, October 14, 2009
duoATL performs works by composers in our lifetime
Lost Hollow Road by Brian Chamberlain (Atlanta Composer)
Sonatina Mexicana by Carlo Domeniconi
New Castle Parade by Brian Luckett (Atlanta Composer)
Acrobats by David Leisner
Serenata al Alba del Dia by Joaquin Rodrigo
Six Pieces for Flute and Guitar by Annette Kruisbrink
Suite Buenos Aires by Maximo Deigo Pujol
Admission is free. Be sure to visit our new website for more concerts and information: http://www.duoatl.com
Tuesday, October 06, 2009
CD Reviews
Brian Skutle was kind enough to write some good, fair reviews of my CDs here.
You can listen to my CDs on Last.FM, and of course I would be ecstatic if you liked them and wanted to buy a copy, or a couple tracks on iTunes!
Late Frost (New Age/minimalist piano)
Parallel Lives (electroacoustic/experimental)
In other news, I am preparing my PhD applications. I put my contenders for my portfolio on my latest blog. If you have time and want to put in your two cents on the pieces, I would be very interested to hear them!
Thanks,
asn
Tuesday, September 29, 2009
neoPhonia Concert TONIGHT!
Sunday, September 27, 2009
Curtis Bryant Song Cycle Receives New York Performance
8:00 PM
Saint Peter's Church, 619 Lexington Ave (at 54th St.)
New York, NY
Atlanta baritone James Robinson and pianist Jo Kroger will present a recital including works by Rossini, Mozart, Peter Cornelius and Atlanta composer Curtis Bryant. Featured on the recital is Bryant's song cycle "The Marriage of Heaven and Hell," based upon the 1793 mystical book of the same title by William Blake. Bryant composed the set of five songs in 1983 for American bass-baritone Peter Harrower, who premiered them the following year. Other performers of "The Marriage of Heaven and Hell" have included Atlanta bass-baritone Oral Moses and New York bass-baritone Rhys Ritter.
Friday, September 18, 2009
Works by KSU Faculty Composers
Wednesday, September 23, 2009
8:00pm
Bailey Performance Center at Kennesaw State University
Free and Open to the Public
Directions and Map
With Performances By:
Paul Brittan • John Lawless
Jana Young • Helen Kim • Benjamin Wadsworth
Caleb Herron • Olivia Kieffer
Program to Include:
SHERR: Four Short Pieces
Dhammapada Verses
Duo Concertante
MITCHELL: Chakras of on Automaton: Duet for Percussion and DJ
DOLAN: Extreme City
Saturday, September 12, 2009
Collaborative Project
ASN, your favorite Atlantan-in-self-imposed-exile here. I am posting to solicit participants in a possible collaborative project.
Back in 2007, I started a project of flute solos with hip-hop beats. This has been shelved for some time, and I want the project to have a life. I am now proposing an “EP” of sorts with 6-8 tracks, and I am looking for composer-performer soloists.
How this will work:
1. I will supply you with a backing track and a melodic line/theme.
2. You will compose variatons on my melodic line.
3. You will record the “theme and variations.”
4. I will edit and mix the tracks together.
This will be a genre-bending exercise, as the music is influenced by hip-hop, classical, rock, Celtic, reggae, electronica, etc. I hope that your variations will be just as exciting and style-defiant.
Requirements:
1. You can play a melodic instrument competently.
2. You have access to a decent instrument.
3. You have access to decent recording equipment.
I plan to release this through CDBaby and for digital download. I will give you a percentage of the sales, copyright, and performing rights. It will allow some cross-promotion, which can’t hurt!
Wednesday, September 02, 2009
Back to Iraq

We are opening an Academy in the relatively safer Kurdistan region of Iraq to provide a safe place for Arab and Kurdish artists to work on projects without fear of imminent death or danger. In addition to providing courses in language and the arts, the Academy will serve as a base for some of Soulbird's important human rights and community organizing work, especially working to address the plight of artists in Iraq today.
We would be very grateful for any in-kind donations, such as CDs (any kind of music), DVDs (operas, musical performances/concerts, musicals, dance performances, artist biographies, hollywood or indie films, documentaries on social movements, etc.), books (anything arts-related; social movements, etc.) and music scores (from standard repertory to 20th and 21st century composers). You can receive a tax-deduction for these items through our fiscal sponsor. You can mail them to me, which I will take with me to Iraq on October 17th. My address is
R. Timothy Brady/Soulbird
29 Peachtree Pl NW
#5
Atlanta, GA 30309
United States
Monday, July 27, 2009
Composers and the "relationship-making business"
Blogger Book Club III: Selling Everything, 2.0—The Jig Goes Public
"Those of us who are musicians and composers might think that we're in the music-making business, but we're actually in the relationship-making business. [...] One of the limitations of the new music world is its self-referential nature, whereby accepted norms are...accepted norms, and fewer participants think outside of the taco shell. I find myself most stimulated and inspired by the observations of those who are not part of the arts scene, who see the larger trends in society and in the way people communicate." —Alex Shapiro [READ MORE]
author: Alex Shapiro
source: www.artsjournal.com
date: July 27, 2009
Topic for discussion: How can composers best build responsive relationships for their art outside of the new music community?
[This post also appears in my own EarRelevant blog. --mg]
Sunday, July 19, 2009
Eyedrum threatens to move or close
Mired in money troubles, Eyedrum threatens to move or close
The innovative multi-disciplinary arts space Eyedrum, an invaluable asset to Atlanta's arts scene, is in financial trouble. ... [READ MORE]
author: Pierre Ruhe
source: artscriticATL.com
Topic for discussion: Are alternative venues in Atlanta shrinking in number or growing?
[This post also appears in my own EarRelevant blog. --mg]
"An architect puts Bach in a musical cocoon"
author: Anthony Tommasini
source: NYTimes.com 13 July 2009)
Topic for discussion: How do you choose (or create) a venue best suited to your own music?
Friday, July 03, 2009
Nothing to waste: The advantage of being under-funded
Nothing to waste: The advantage of being under-funded
Source: sivers.org
Author: Derek Sivers
[This post also appears in my own EarRelevant blog. --mg]
The Music May Not Want to Be Free
Malcolm Gladwell reviews Free by Chris Anderson: Books: The New Yorker
Source: www.newyorker.com
BOOKS review of “Free: The Future of a Radical Price” (Hyperion; $26.99) by Chris Anderson. ... READ MORE in THE NEW YORKER
[This post also appears in my own EarRelevant blog.]
Tuesday, June 23, 2009
Scott Smalley Orchestration Seminar in Nashville survey
This is from Geoff Koch, president of the Nashville Composers Association:
Hello everyone,
As many of you know, last year the Nashville Composers Association, along with the Film Music Network, brought Hollywood orchestrator and composer Scott Smalley to Nashville to hold one of his renowned orchestration seminars. We all considered it a great success, including Scott, who loved Nashville and wants to return. To that end, I've been working on bringing Scott back here for another seminar, hopefully later on this year. Scott also has an "advanced course" in the works in which attendees would study "traditional" orchestral works (e.g. Stravinsky, Mahler, etc.) for elements we can use in film scoring today, so having this new course here is a possibility.
The main sticking point is, in light of the slow economy, concern about potentially low attendance. So to help gage interest, I'd like to hear from those who would be willing to pay to attend a Scott Smalley "Art of Orchestration" seminar in Nashville, Tennessee, specifically:
1. Would you be willing to pay $350 for the 2-day course? (Keep in mind that this is for new attendees as those who have previously attended the course may attend again for free, if space is available; there may also be discounts for early sign-ups).
2. Which Smalley course would you be willing to attend -- the "Art of Orchestration" (emphasis on study of contemporary film scores), the "Advanced Course" (emphasis on study of traditional scores), or either?Please respond at your earliest convenience and forward this message to anyone who might be interested.Many thanks, everyone -- I look forward to hearing back from you!
Geoff Koch, NCA President
--> please send responses to gk@kochproductions.com